Last week I finished blocking in the whole under-painting for the giant whirly pop painting. Every one of the 40 or so color areas was applied thick and stroked with the brush hair, this interpretation really gives it a nice uniform direction for the light to follow as it hits the piece. After these were applied, I went in and painted the grey divisions that seperate each color. Right now everything is flat, but over this layers comes a couple of glazes to develop color intensity and form.
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